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Italian playwright, librettist and journalist. After graduating in
law at the University of Padua he devoted himself to literature, first
as theatre critic of the Arena (Verona), then as playwright. His
first stage work was the one-act comedy I fioi di Goldoni in
Venetian dialect; thereafter he proved remarkably successful in a
comic-sentimental vein with such plays as Una capanna e il tuo
cuore (1913), Capelli bianchi (1915), Felicita Colombo
(1935) and its sequel Nonna Felicita (1936).
In 1911 he made the acquaintance of Giulio Ricordi, head of the
publishing firm, of whom he left a valuable memoir in his Giulio
Ricordi e i suoi musicisti (Milan, 1933, 2/1945 as Giulio
Ricordi, amico dei musicisti). It was Ricordi who first put him in
touch with Puccini, who briefly considered setting his Spanish-derived
libretto Anima allegra written with Luigi Motta; it was
eventually set by Franco Vittadini, for whom Adami wrote a number of
ballet scenarios.
His first collaboration with Puccini was on La rondine (1917),
which he adapted as a full-length verse libretto from a German operetta
text by Willner and Reichert. There followed Il tabarro (1918)
and Turandot (1926), the last being written in partnership with
Renato Simoni.
To Adami we owe the first collection of Puccini's letters to be
published, Giacomo Puccini: epistolario (Milan, 1928; Eng.
trans., 1931, 2/1974), as well as one of the earliest biographies of the
composer (Milan, 1935), based on personal recollections. From 1931 to
1934 he was music critic for La sera (Milan) and of the review
La comedia. To the end of his life he maintained a connection
with the house of Ricordi, for whom he acted as publicist.
Source: www.grovemusic.com
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